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    • fine art >
      • Maidens in the Forest Gathering Flowers
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      • Jenna on Her Morning Run with Her Friends The Triplets Terrible
      • Mon Cherie Brings Flowers to Her Great Grandfather’s Grave
      • Vampyre in Blue
      • Home Before Sunrise
      • Zombie Children with Mother on Their First Day to Junior High School
      • Woman of Twitter
      • Vampyre Before Mirror
      • Emily Before the Gates of Hell
      • Emily Leading Her Troops
      • Girls on Swing (The Three Seasons)
      • Girl on Swing
      • Troubled Over Her "Accidental" Burning of Her Father's Circus Tent, Her Friends Try Cheering Emily With Song and Dance
      • Himmler Hause
      • Girl Gathering Cherries
    • comics >
      • sadley
      • caffeine nirvana
      • chemical one
      • child unhappy
      • college phat
      • curious mr. o
      • face broker
      • goo goo and you
      • jet jumpers
      • le critique
      • mane man
      • marcus borealis
      • martha
      • mc chair
      • miss pluck
      • moby's strip
      • mr. morga
      • mr. stix
      • pantomime swell
      • sienna stick
      • where isn't bensky
      • sharp baby
      • paul and me
      • other people's underwear
      • judge l
  • writings
    • stories
    • graphic novels >
      • Terrible in Black
      • Marx Card
    • poetry >
      • of danielle
      • living
      • breathing
      • things one thought
      • sometimes blue/sometimes borrowed
      • d is for sleep
      • LL
      • hope
      • love is a dream
      • this month of October
      • better to fly from my snare
      • Kings and Queens
      • Death has a Name
      • For favors I seek
      • Many mysteries/ poems for January 2020
      • Poems Raw and of the Living
      • Sadness is Not a Weakness
  • blog
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Jenna on Her Morning Run with Her Friends The Triplets Terrible

2018
Oil/Canvas
48 in. x 38 in.
$3,500.00
​Buy a print here
Maidens in the Forest Gathering Flowers
I stumbled over a portfolio of Japanese woodblock prints and decided there was a considerable gap in my art education by not being familiar with this craft. And so for two years, I set to understand and eventually memorize each print and each individual artists’ style.  

This exercise in realigning my senses transitioned my understanding of the picture plane and had a profound impact on my compositional storytelling and at the same time, allowed me the sixty years memorization of western paintings to merge these two great methods and styles.

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